Literature and cinema have long played with the idea of the end of the world. As Jean-Paul Engélibert explains, these narratives, which imagine the forms of life or society that will emerge from the apocalypse, must be seen primarily as a critique of the present.
What turns a literary work into a classic? Something critical is “lived experience,” that is, people read the literary work to make sense of current events. The fact that Orwell’s 1984 is selling hundreds of copies after Trump’s inauguration is telling as Alvaro Santana-Acuña explained in his analysis of One Hundred Years of Solitude and current affairs such as the BP oil spill in 2010. [updated introduction following Donald Trump’s election to the White House]
