During the Black Plague, Boccaccio’s Decameron provided readers ways to laugh through the pandemic. A few centuries later, a new kind of pandemic strikes: with Covid-19, the world as we knew it seems forever changed. Can fiction help us imagine new ways of existing together in times of uncertainty?
The first English translator of Spinoza’s Ethics was a woman, and not any woman: the great novelist George Eliot who, before taking to writing fiction, had translated Feuerbach, David Strauss—and Spinoza. Her beautiful translation had remained unpublished until now. It has nothing to envy of the ones that followed.
In this new biography of Susan Sontag, Benjamin Moser draws on hundreds of interviews and on the writer’s restricted archives to offer a fascinating portrait of a woman driven to extremities both personal and intellectual.
Media, publishing, photography, theatre and political discourse are now shifting their attention to the lives of ordinary people. Does this move serve the need to better understand contemporary society? Sylvain Bourmeau, an actor and observer of these changes, offers some explanations.
In an innovative study that returns Albert Camus’ early works to their rightful place in the canon, Laurent Bove suggests we should view Camus as a philosopher of immanence and of acquiescence to the joy of the world. This reading is enlightening as far as Camus’ thoughts on history are concerned, but tends to gloss over the ruptures that run though his work, which is driven with multiple tensions.
