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	<title>Books &amp; ideas</title>
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	<description>Books &amp; Ideas is the English-language mirror website of La Vie des Id&#233;es, a free online journal which has gained a large readership and established itself in France as a major place for intellectual debate since 2007.</description>
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		<title>The Avant-Garde System</title>
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		<dc:date>2017-02-16T08:00:00Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>Pamela Bianchi</dc:creator>


		<dc:subject>Economy</dc:subject>
		<dc:subject>History</dc:subject>
		<dc:subject>modernity</dc:subject>
		<dc:subject>global history</dc:subject>
		<dc:subject>Institut fran&#231;ais</dc:subject>
		<dc:subject>avant-garde</dc:subject>
		<dc:subject>art history</dc:subject>

		<description>&lt;p&gt;In a desire to write a total history, B&#233;atrice Joyeux-Prunel proposes a novel sociocultural and transnational approach to the artistic avant-gardes. Beyond a mere history of styles, the avant-gardes appear in her book as genuine political and social events, caught in complex networks of influence.&lt;/p&gt;
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		<title>Arthur C. Danto or the Duality of Worlds</title>
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		<dc:date>2016-09-05T07:00:00Z</dc:date>
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		<dc:creator>Laure Bordonaba</dc:creator>


		<dc:subject>Philosophy</dc:subject>
		<dc:subject>aesthetics</dc:subject>
		<dc:subject>Florence Gould Foundation</dc:subject>
		<dc:subject>avant-garde</dc:subject>
		<dc:subject>contemporary art</dc:subject>
		<dc:subject>Portraits</dc:subject>

		<description>&lt;p&gt;What distinguishes a blank canvas from an empty frame? A simple object from a readymade? What is this mysterious gap that art digs as it separates from life? Such are the questions posed by Arthur Danto, a major figure of contemporary art theory.&lt;/p&gt;
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		<title>Challenging Mainstream Art </title>
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		<dc:date>2012-01-13T12:05:40Z</dc:date>
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		<dc:creator>Cristelle Terroni</dc:creator>


		<dc:subject>Arts</dc:subject>
		<dc:subject>United States of America</dc:subject>
		<dc:subject>art</dc:subject>
		<dc:subject>avant-garde</dc:subject>
		<dc:subject>art history</dc:subject>

		<description>&lt;p&gt;Towards the end of the 1960s the dematerialized forms of conceptual art transformed the modes of art production. The advent of art works which could be printed and reproduced in the pages of magazines changed the nature of these publications: artists' magazines thus became an alternative space for artistic production.&lt;/p&gt;
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