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	<title>Books &amp; ideas</title>
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	<description>Books &amp; Ideas is the English-language mirror website of La Vie des Id&#233;es, a free online journal which has gained a large readership and established itself in France as a major place for intellectual debate since 2007.</description>
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		<title>Against the &#8220;Grain of the Voice&#8221;</title>
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		<dc:date>2020-07-06T07:00:00Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>Catherine Rudent</dc:creator>


		<dc:subject>Arts</dc:subject>
		<dc:subject>gender</dc:subject>
		<dc:subject>music</dc:subject>
		<dc:subject>race</dc:subject>
		<dc:subject>cultural studies</dc:subject>
		<dc:subject>popular culture</dc:subject>
		<dc:subject>Books and ideas originals</dc:subject>
		<dc:subject>electronic music</dc:subject>
		<dc:subject>metal music</dc:subject>

		<description>&lt;p&gt;From crooning to auto-tune, the voice is at the heart of popular songs. However, it has proved difficult to study: how can something as personal be analysed? Catherine Rudent provides an overview of current approaches of the voice in popular music studies.&lt;/p&gt;
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		<title>Japanoise: Affect at the Edge of Music</title>
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		<dc:date>2018-11-29T07:00:00Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>Edouard Degay Delpeuch</dc:creator>


		<dc:subject>International</dc:subject>
		<dc:subject>Arts</dc:subject>
		<dc:subject>media</dc:subject>
		<dc:subject>Japan</dc:subject>
		<dc:subject>subculture</dc:subject>
		<dc:subject>culture</dc:subject>
		<dc:subject>music</dc:subject>
		<dc:subject>cultural studies</dc:subject>
		<dc:subject>Text Interviews</dc:subject>
		<dc:subject>Books and ideas originals</dc:subject>
		<dc:subject>circulation</dc:subject>
		<dc:subject>experimental music</dc:subject>
		<dc:subject>electronic music</dc:subject>
		<dc:subject>listening</dc:subject>
		<dc:subject>sound studies</dc:subject>

		<description>&lt;p&gt;In the 80's, a peculiar genre of underground music emerged: Japanoise&#8212;or Japanese Noise. Based on feedback, without melody nor structure, this genre is often perceived as the end of music. Drawing on the tools of media anthropology, David Novak traces the history of the construction of this genre.&lt;/p&gt;
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