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		<title>The &#8220;Ambiguities&#8221; of Ir&#232;ne N&#233;mirovsky</title>
		<link>https://booksandideas.net/The-Ambiguities-of-Irene</link>
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		<dc:date>2013-04-18T12:10:25Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>Olivier Philipponnat</dc:creator>


		<dc:subject>History</dc:subject>
		<dc:subject>judaism</dc:subject>
		<dc:subject>la suite gauche</dc:subject>
		<dc:subject>literature</dc:subject>
		<dc:subject>the interwar period</dc:subject>
		<dc:subject>Fondation pour la M&#233;moire de la Shoah</dc:subject>

		<description>&lt;p&gt;After being readmitted to French literary heritage following the international success of &lt;i&gt;Suite fran&#231;aise&lt;/i&gt; (2004), Ir&#232;ne N&#233;mirovsky's work provides a unique insight into the intellectual landscape of the inter-war period, particularly with regard to the crisis of the novel, the new &lt;i&gt;mal du si&#232;cle&lt;/i&gt; and the Jewish literary renaissance. However, Angela Kershaw's recent book on the author shows the difficulties involved in reading and understanding a book once the Holocaust has changed our perception of it.&lt;/p&gt;
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