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	<title>Books &amp; ideas</title>
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		<title>Art for money's sake</title>
		<link>https://booksandideas.net/Art-for-money-s-sake</link>
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		<pubDate>2026-09-29T06:42:10Z</pubDate>
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		<author>Jean-Louis Fabiani</author>
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		<dc:subject>Economy</dc:subject>
		<dc:subject>Arts</dc:subject>
		<dc:subject>market</dc:subject>
		<dc:subject>painting</dc:subject>
		<dc:subject>fine arts</dc:subject>
		<dc:subject>Cairn.info</dc:subject>

		<description>&lt;p&gt;How does art acquire commercial value? In this book, two historians concentrate on the &#8220;first market&#8221; for art, which exists prior to the resale market and speculative strategies. It examines the decisive moment when an artwork leaves the studio, the artist sets their price, and the artwork reaches the public.&lt;/p&gt;
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		<title>When Art Colonises</title>
		<link>https://booksandideas.net/Anne-Lafont-art-race-Africain-oeil-Lumieres</link>
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		<pubDate>2020-09-28T07:00:00Z</pubDate>
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		<author>Guillaume Mazeau</author>
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		<dc:subject>Arts</dc:subject>
		<dc:subject>Enlightenment</dc:subject>
		<dc:subject>History</dc:subject>
		<dc:subject>Colonialism</dc:subject>
		<dc:subject>racism</dc:subject>
		<dc:subject>Institut fran&#231;ais</dc:subject>
		<dc:subject>fine arts</dc:subject>

		<description>&lt;p&gt;In a wide-ranging essay on the construction of race in Enlightenment art, Anne Lafont tracks down the responsibility of images in the naturalization of racial difference and the justification of colonialism.&lt;/p&gt;
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