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		<title>Japanoise: Affect at the Edge of Music</title>
		<link>https://booksandideas.net/Japanoise-Affect-at-the-Edge-of-Music</link>
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		<dc:date>2018-11-29T07:00:00Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator>Edouard Degay Delpeuch</dc:creator>


		<dc:subject>International</dc:subject>
		<dc:subject>Arts</dc:subject>
		<dc:subject>media</dc:subject>
		<dc:subject>Japan</dc:subject>
		<dc:subject>subculture</dc:subject>
		<dc:subject>culture</dc:subject>
		<dc:subject>music</dc:subject>
		<dc:subject>cultural studies</dc:subject>
		<dc:subject>Text Interviews</dc:subject>
		<dc:subject>Books and ideas originals</dc:subject>
		<dc:subject>circulation</dc:subject>
		<dc:subject>experimental music</dc:subject>
		<dc:subject>electronic music</dc:subject>
		<dc:subject>listening</dc:subject>
		<dc:subject>sound studies</dc:subject>

		<description>&lt;p&gt;In the 80's, a peculiar genre of underground music emerged: Japanoise&#8212;or Japanese Noise. Based on feedback, without melody nor structure, this genre is often perceived as the end of music. Drawing on the tools of media anthropology, David Novak traces the history of the construction of this genre.&lt;/p&gt;
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